In 2007 Klaxons did what pretty much no band have done since: arrive with a fully fledged ideology – new rave. Back then it was strange seeing a high street normally shifting outfits in various hews of bland flooded with weird neon clothing. In June 2014, Love Frequency, Klaxons’ third album drops. While their second record was perceived as a rejection of their dance influenced past, this is a return to it. Once again they’ve leapt to the front of a queue of none as the only group of people blending the euphoria of today’s dance scene with the aesthetics, experimentation and instrumentation of post-punk. Three years in the making, Love Frequency reasserts the most basic principles of Klaxons; that it is possible to make bizarre, transformative pop music which can conquer stadiums just as well as backward, tub thumping rock or gumboot American EDM DJs. This is a record where RnB production, prog and dance music sensibilities collide somewhere near the summit of Hit Parade.